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Mason Douglas Williams (born August 24, 1938) is an American classical guitarist, composer, writer, comedian and poet.He is best known for his 1968 instrumental "Classical Gas" and for his work as a comedy writer on Smothers Brothers Comedy Hour, The Glen Campbell Goodtime Hour, and Saturday Night Live.Many of the prints on this website and at our New York City galleries, located at 32 East 57th Street and at 521 West 26th Street, have been printed in one of our printmaking workshops in Manhattan and in Brooklyn.Since 1968, we have collaborated in creating print editions with over 125 artists. An artwork would be out of context until it was taken out of context.Just as any encyclopedic museum’s permanent collection festers with significance, the fact that these pieces happen to find “rest” there renders them timeless.Dick Solomon Gallery Staff Dick Solomon, President 32 East 57th Street Kristin Heming, Director Jeff Bergman, Director Andrew Mc Elwee, Assistant Director Sylvie Harris 521 West 26th Street Rachel Gladfelter, Director Megan Curry, Assistant Director Emma Fastenberg Press and Archive Inquiries Austin Kennedy, Design Director Christina Graham, Communications Manager Matthew Tung, Archivist General and Sales Inquiries [email protected] List Join our mailing list.Nearly everything about Los Angeles appealed to Ruscha.

We hope that you will keep checking this website to keep abreast of all of our activities.The vanguard of the new art scene was comprised of members of this “Cool School”–among them Ed Kienholz, Robert Irwin, Craig Kauffman, Ed Moses, Billy Al Bengston, Ken Price, Joe Goode, John Altoon, Larry Bell, and Ed Ruscha–who often employed a stylistic combination of pop, hard-edged abstraction, and minimalism. “From his large, all-over graphite drawings of roses from the 1960s to his signature diagonal grids of the 1970s and beyond, Moses’s work has always been grounded in graphic experimentation.” Opening May 10 at the Los Angeles County Museum of Art will be the first museum presentation of the artist’s drawings since 1976.Critic Philip Leider, who was the managing editor of in offices located above the gallery, defines the group’s style as such: “A hatred of the superfluous, a drive toward compression, a precision of execution . will also be on view, which features drawings from LACMA’s collection by other Los Angeles–based artists.They could be anywhere, so they are as good as everywhere at any point whatsoever.Groys says the curatorial project, which includes those artworks we call “installations,” but whose museological zenith is the special exhibition, is different because it “inscribes the exhibited artworks in this contingent material space.” Thus, stationary artworks of the traditional sort become temporalized, subjected to a certain scenario that changes the way they are perceived during the time of the installation because this perception is dependent on the context of their presentation—and this context begins to flow.label (The Mason Williams Phonograph Record, The Mason Williams Ear Show, Music, Handmade, and Sharepickers).The LP cover for the 1968 'Music' was painted by Edward Ruscha. "Classical Gas" was released as a single from The Mason Williams Phonograph Record in 1968.He then used the plexiglass guitar to finger-sync his hit version of "Classical Gas".Williams has recorded more than a dozen albums, five on the Warner Bros.He premiered his first paintings in his first solo show at the Ferus Gallery in 1958.Lot 115, a trio of 1958 watercolors, goes to market for the first time having originally been acquired directly from the artist.

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